Category Archives: Animation Analysis

Career Immolation: A User’s Guide

They say there is no such thing as bad publicity. Of course there is, when the public asks;

“Whatever happened to that guy?”

And then the public remembers, “Oh yeah. That happened.”

(l-r:) Glenn Humplik and Tom Green, with one of Canada's accursed "milk bags". Hopefully I won't be legally pressured to remove this photo.

(l-r:) Glenn Humplik and Tom Green, with one of Canada’s accursed “milk bags”. Hopefully I won’t be legally pressured to remove this photo.

In the late 1990s, MTV gave Canadian public access personality Tom Green his own show. It was a raucous, prank-filled half-hour wherein Green literally abused and humiliated every single person he encountered, while affecting an oblivious, addled mien. It was for the most part very funny. Continue reading

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Filed under Animation Analysis, Bad Influences, Don't Know Don't Care, Faint Signals, Idiot's Delight, Late To The Party, Nostalgic Obsessions, Saturday Movie Matinee, Worst Of All

Animation Analysis: Heavy Metal

When analyzing or criticizing animated feature films, it’s important to keep three factors in mind:

  1. The talent
  2. The resources
  3. The date of production and release
Production designer: the late great Michael Gross, who gave you National Lampoon Comics and the Ghostbusters logo (for a movie Ivan Reitman directed that you might have heard of).

Production designer: the late great Michael Gross, who gave you National Lampoon Comics and the Ghostbusters logo (for a movie Ivan Reitman directed that you might have heard of).

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Filed under Animation Analysis, Faint Signals, Girls of BIUL, Movies You Missed, Nostalgic Obsessions, O'Shloktoberfest, Saturday Movie Matinee, Thousand Listen Club, Unfairly Maligned

The Worst Comic Strip Ever

Every cartoonist has a cabinet full of failures. It’s part of the job. A maxim I live by is one an old writing partner told me:

They can’t all be golden.

That says "Headcheese", in the "Cheese" font. I was being pedantic.

That says “Headcheese”, in the “Cheese” font. I was being pedantic, not meta.

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Filed under Animation Analysis, Bad Influences, Comix Classic & Current, Don't Know Don't Care, Faint Signals, Idiot's Delight, Magazine Rack, Worst Of All

The Extract Experiment

Videodrome, my local video store, often features used DVDs at clearance prices. There was a copy of Mike Judge’s Extract for $3. I’m a huge fan of Judge’s film and television, so I Netflixed Extract upon its release, and truthfully, I was underwhelmed. But a friend who also enthuses upon Mike Judge loved it, and $3 was just right to give it another chance.

What happens when a company has no idea how to market a film.

What happens when a company has no idea how to market a film.

“I didn’t really get this one,” the clerk said as he rang up my purchase, “and I love his other stuff.” I told him a theory I’d read that Office Space was for the workers, and Extract was for the bosses, reflecting Judge’s ascent in the studio system. I also noted that Idiocracy was an impossible act to follow, and that it wasn’t well-received upon its (delayed) debut. I figured if I remained ambivalent about Extract, I could gift it to my friend.

After watching Extract for the second time, I decided to keep it. Continue reading

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Filed under Animation Analysis, Faint Signals, Girls of BIUL, Movies You Missed, Saturday Movie Matinee, Unfairly Maligned

Helping Millennials Understand The Simpsons

The world is tough on young people, especially when there are forces trying to control them, often by coddling them. Every awkward feeling teenagers have is commoditized and acknowledged, no matter how insignificant. Their bad moods are notated with special emoticons. Their hormonal bullshit is all validated as worthy expression.

This gag's humor outlived the technology that inspired it.

This gag’s humor outlived the technology that inspired it.

Coincidentally, almost everything sucks.

I make an effort to be unprejudiced about millennials, I really do. I refuse to become the stereotype of the old man screaming at the kids to get off his proverbial lawn. But you have to understand the frustration. 20 years ago, I had to argue with people my age who claimed Quentin Tarantino was God. Now I’m dealing with the children of those people. Continue reading

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Filed under Animation Analysis, Bad Influences, Faint Signals, Idiot's Delight, Late To The Party, Nostalgic Obsessions, Unfairly Maligned

Soul Coughing

BIUL_SoulCoughing

All comics I produced from 2006-2008 were written and drawn during the production of my movie, John’s Arm: Armageddon. I jumped the gun by putting a “release date” on my shirt in the opening panel. Here’s why.

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Filed under Animation Analysis, Bad Influences, Comix Classic & Current, Faint Signals, Thousand Listen Club

Animation Analysis: The Transformers: The Movie

For the past ten years, one Rhode Island company has made me so deliriously happy, I’ve considered corporate personhood, so I could ask for its hand in marriage.

Hasbro.

They even threw in a rubsign. Hasbro is proof that God loves us and wants us to be happy.

They even threw in a rubsign. Hasbro is proof that God loves us and wants us to be happy.

2006 was the year this little toy company had a subline of their Transformers toys called “Classics”; new figures of favorite characters from the 1984 cartoon. And a funny thing happened- these robots from an old show sold very, very well. Characters like “Bumblebee”, “Megatron” and “Optimus Prime” were familiar to a enviously broad range of people. They had staying power equal to Superman or Batman. The world was on the cusp of finding this out.   Continue reading

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Kidd Video

Parallel universes figure into popular science fiction every so often, but whereas now they are used to explain inconsistencies, in the past they were an intriguing alternative to outer space as a setting. The short-lived TV show Otherworld from 1985 is one example, with its no-frills labels (like in Repo Man) and dumb upside-down pistols. A better-known version of the concept is the cartoon Kidd Video, which aired on NBC Saturday mornings around the same time.

(l-r) Ash, Whiz, Kidd, Carla. Yes, the nerd with yellow hair is called "Whiz".

(l-r) Ash, Whiz, Kidd, Carla. Yes, the nerd with yellow hair is called “Whiz”.

Everything I’ve mentioned thus far sucks to varying degrees (well, except Repo Man). But because of that “parallel universe” icing, the crap tasted sweeter than cake.  Continue reading

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Filed under Animation Analysis, Don't Know Don't Care, Faint Signals, Girls of BIUL, Idiot's Delight, Nostalgic Obsessions, Zappalogy

Windows of America

In college, I split-majored, in both graphic design and illustration. I’m a cartoonist, but when I graduated high school, that wasn’t a common part of art-school curriculum. In illustration, I learned the most important aspect of rendering; figure studies. After all, there will never come a time when human anatomical knowledge is unnecessary. The skill to draw any part of the body you inhabit will never hold you back.

However, I was naive in my choice of studies. I was so eager to learn all that I could, I didn’t grasp that graphic design requires the left (analytical) side of the brain, and illustration (creative) requires the right. For a green teen, it was too much; I burned out and then dropped out. I couldn’t jockey back and forth across the hippocampus day after day. While trying to ink the sewer grate for the cover of the second Mike The Pod Comix, I had a psychotic episode and hurled my sketchbook down the dorm hallway.

The sewer grate, folks. The sewer grate. (1991)

The sewer grate, folks. The sewer grate. (1991)

If none of this makes sense to you, then hello, normal person.  Continue reading

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Filed under Animation Analysis, Bad Influences, Comix Classic & Current, Faint Signals, Magazine Rack, Nostalgic Obsessions

Æon Flux: The Herodotus File

From 1991 to 1995, the animated femme fatale Æon Flux appeared on MTV (of all places), at first in shorts that appeared on the variety program Liquid Television. She was created by Korean animator Peter Chung, storyboard artist for Transformers: The Movie (1986), and veteran of cartoon shows like Rugrats and Ring Raiders.

Rob Liefeld learned everything he knows about female anatomy from this single image.

Rob Liefeld learned everything he knows about female anatomy from this single image.

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Filed under Animation Analysis, Faint Signals, Girls of BIUL, Movies You Missed, Nostalgic Obsessions, Saturday Movie Matinee