The gist of my sentiments here today is this: on the 27th of this month, I will be fifty years old. I don’t understand it any better than you do. I feel no older than 38. I don’t look at my face, hands, or body and see those of a fifty-year-old man. I can walk a mile in ninety-degree weather without issues. I don’t talk about it much because my age is a recurring reminder that my ability to empathize with other humans will only continue to dissipate.
Matty Boy Anderson at a Trump rally in Atlanta, early 2016. “IDIFTL,” said Anderson, who has received over fifty emails a day from Donald Trump since then.
As a professional cartoonist with underground roots for over three decades, Matthew “Matty Boy” Anderson has been struggling to stay afloat in our current timeline. With censorship openly enforced by government and tech companies, multi-millionaire celebrities endorsing fascism towards their detractors, and “Redditors” eager to surrender freedom for unnecessary conveniences, how can any legitimate artist continue to make a living?
A final performance, product, or accomplishment before someone or some-thing stops creating work or products, as due to death, retirement, closure etc. From the ancient belief that swans issue a beautiful song-like sound just before they die.
Before I begin, I want you to understand that I have no reason to lie to you. I don’t care about alienating the companies I’ll be attacking in the following article because they have nothing to offer me.
The comic book industry I dreamed about being part of since I was a boy is dead. It’s never coming back. It will never recover.
1990 trading card with original 1977 painting by Arnold Sawyer.
Our universe will never again see a personality like Stan Lee. For the most part, that’s not a good thing. But one must understand and accept that Stan’s career was very much of its time. What he became in his final years was a calculated maneuver, the bookend of a carefully managed and marketed existence. I say that not out of judgment, but out of respect, however begrudging that respect might occasionally be. More than perhaps anyone else, Stan Lee was comic books.
Unless you were alive and paying attention in the 1980s, you probably didn’t know that Transformers weren’t the first toys in America that changed into vehicles. “GoBots” were.
Transformers came from Rhode Island’s Hasbro, in 1984. GoBots came from Tonka, makers of fine metal toy trucks, in 1983. That may be why Hasbro did everything right, from the start- they saw what Tonka had already done wrong. And oh boy… Tonka did just about everything wrong.
Alright I did another one, alright?! I’m so damn committed to this idea I squeaked out another one!!!
Click the cover to visit the ordering page!
Now I know how Michael Bay felt after wrapping Transformers 5. Like me, he probably leaned back in his chair, put his hands behind his head, and sighed “holy shit, now I’ve done that five times.”
Imagine if you will, a world parallel to our own, identical in many ways, disparate in others. Long story short, in this mirror universe, Bands I Useta Like was optioned by a major independent film studio, and made into a hit movie. It combined animation and live action, and because the producers had deep pockets, licensing songs for a decent soundtrack wasn’t a problem.
Whether I allowed the film to be produced at all was contingent upon the quality of the music choices. If they balked at a crucial song, or refused to include it, I would walk off the project. Which I did, and they replaced me on-screen with a real actor. Like I said, the movie was a hit.
The 2-disc soundtrack sold out of stores overnight. Even though it came packed in that shitty double jewel-box, which just winds up broken, on the floor of a car.
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