In case you missed it, Bands I Useta Like (the comic strip, not the site you are currently reading) is over. I am forced to accept that a printed periodical outlet for the strip I have drawn for the past twenty-three years no longer exists. This is the theme of the 2020’s; forced acceptance and submission. Historically, I do well with neither.
So, in the spirit of the current times, I am accepting my own flaws and shortcomings as personal advantages, and forcing them on the rest of society and the world. As a pipe-tooting sailor once said, I am what I am.
Of course I was spoiled growing up. We didn’t just have The Muppet Show (and Fraggle Rock!) on TV- we knew the name of the man who brought the Muppets to life; Jim Henson. We even knew that the man who voiced “Miss Piggy”, Frank Oz, guest-starred in one of the biggest sequels of all time, as a little green alien called “Yoda”.
Oh, and that sequel? We all knew whose baby it was. George Lucas. His film-school buddy Steven Spielberg was the mastermind behind E.T., Close Encounters of the Third Kind, Jaws, and the classic-styled anthology show Amazing Stories. (Just to name a few.)
Maybe someday, in some perfect future utopia where I am long dead, the vaunted generation known as “millennials” will finally experience self-awareness. Maybe they will finally uncover the reason why they are so vehemently despised by literally everyone who came before them.
Everyone here has seen Pulp Fiction, right? I’m making an assumption, being that we’re on the Internet, and all. There’s a scene where Ving Rhames forces Bruce Willis to take a fall in a boxing match. He says:
“On the night of the fight you may feel a slight sting. That’s pride, fucking with you. FUCK pride.”
Last year, all I wanted to do was crack jokes about Hillary Clinton’s ever-smug face. Her daughter Chelsea, too. Throw in that awful Debbie Wasserman Shultz, and you’ve got a trifecta of ghoulish visages I was literally salivating to goof on. Caricature unflatteringly, at the least.
And I didn’t.
I didn’t make fun of the women at the Trump rally, either. I couldn’t; they were all attractive, and could possibly have shamed me as a man.
While the entire media industry decided to make fun of Donald Trump’s face, like a bus full of second-graders, I didn’t stoop to their level. And oh, they had a field day. They’re still doodling him as an anus, or a Cheeto. I’ve seen that illustration of Trump as a shit-spattered baby so many times I could forge it from memory.
I won’t touch it. I don’t respond well to condescension. I could contract full-blown AIDS, “Dear White People” could have the cure, and I’d die happily, blissfully ignorant, broth bowl in hand, tumbling to the linoleum with a smile.
Any white person who would willfully watch something titled “Dear White People” is fearful of people who aren’t white. Period.
I strive to be fair in my work, I really do. Except for when I don’t, and I’m not.
Meaning, there’s a handful of musical acts for which I have no love. All I have for them is contempt, which I lamely try to carve into humor. It’s best that I come clean about it, to put an end to wondering why I don’t mention some bands at all. Ever.
I don’t want to know how many times it’s been tattooed. I assume a lot.
You must be logged in to post a comment.