Tag Archives: Bands I Useta Like

Machines Of Loving Grace

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Filed under Bad Influences, Comix Classic & Current, Faint Signals, Nostalgic Obsessions

Ned’s Atomic Dustbin

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Speaking of “did I own that once”, did I actually have one of those eyeball webcam dealies, as seen in the first panel? I might have. I really don’t care for webcams; there’s one sticking out of the front of my laptop screen, and it’s like staring into the optic sensor of a killer robot. I’m on the verge of putting duct tape over it.

“Ned’s Atomic Dustbin”, like Toad The Wet Sprocket, comes from a Monty Python bit. You’ve got internet, you go dig up which ones. I’m at work.

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Radiohead

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I later found out the reason behind Yorke’s eyes blinking out of sync and I really should’ve just kept my mouth shut. I doubt he gives a shit however.

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Red Hot Chili Peppers

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I admit this ain’t one of my strongest. Can you feel my contempt in not even bothering to draw the covers? I was pressed for time, but I also figured there was no way I could accurately render them at that small size. (I draw very small.)

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Smashing Pumpkins

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Good Cop/Bad Cop (The Police)

Police- a subject of much discussion these days. Some claim to hate them. Society cannot function without them, but what does that say about society? And can you believe they used to be a band?

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I admit the “white people ripping off reggae” jab was a bit harsh, but I never said I was fair. I certainly wasn’t when it came to depicting my hair and acne. Continue reading →

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Trigger Warning

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The signs were there all along. It doesn’t take a genius to see what this means. It was only a matter of time. The evidence just kept mounting, until finally, the pressure was too much. Something had to give. Continue reading →

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Jive Bunny & The Mastermixers

BUM BUM BUM BUM BOMM BOMM
NOW IT’S IN YOUR HEAD

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Duran Duran

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This strip is from ten years ago, and the last panel takes place twenty years ago. I didn’t get into weed heavily until around 1998, though. Sometime around the creation of the initial run of strips, interestingly enough. I don’t know, it’s hazy. Wonder why.

While an art school sophomore, I got a homework assignment that involved duplicating a known master’s art. I chose Rembrandt. This other kid chose Nagel. While the class spread our hard work out on the hallway floor for critique, an eccentric and stout professor (with a wonderfully incomprehensible name) dropped in from next door to speak with our teacher. As he did, he trod upon the counterfeit Nagel, scuffing and mangling it. He played it off like an accident, albeit halfheartedly, but we all knew it was a deliberate mercy killing.

Duran Duran takes their moniker from the Jane Fonda science-fiction ort Barbarella, a film so godawful, the director wisely stuck all the nudity in the opening credits.

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Madness

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There’s an episode of The Young Ones where they go to a pub, and Madness is performing (“House of Fun”, what else). Rik Mayall asks if the band knows a Cliff Richard song, and Suggs replies “YOU UMMIT, an I’ll smashyafacein.” It’s so horribly delivered, it only makes Rik look like more of a pussy when he backs down.

“Night Boat To Cairo” is probably Madness’s best. The bridge from “Bed & Breakfast Man” was used in bumpers for the ancient “Comedy Channel” show, Stand Up Stand Up.

That story in the second panel is true. It happened in the square behind Oglethorpe House in downtown Savannah. It wasn’t a friendly suggestion, either, it was without a doubt an instance of “haw haw let’s fuck with the weird kid”, delivered after the screeching wail of truck tires braking suddenly.

I’ve been living in Georgia for 25 years. When people from outside the South tell you about Confederate flags, the Civil War, rednecks, racism, and soul food, let me assure you of one thing. They don’t know jack shit about any of it.

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