Imagine if you will, a world parallel to our own, identical in many ways, disparate in others. Long story short, in this mirror universe, Bands I Useta Like was optioned by a major independent film studio, and made into a hit movie. It combined animation and live action, and because the producers had deep pockets, licensing songs for a decent soundtrack wasn’t a problem.
Whether I allowed the film to be produced at all was contingent upon the quality of the music choices. If they balked at a crucial song, or refused to include it, I would walk off the project. Which I did, and they replaced me on-screen with a real actor. Like I said, the movie was a hit.
The 2-disc soundtrack sold out of stores overnight. Even though it came packed in that shitty double jewel-box, which just winds up broken, on the floor of a car.
Set the Wayback Machine for 1998. I was at Kinko’s, in the middle of the night, running off copies of Mike The Pod Comix #4 (the blue one).
Those aren’t fonts. I didn’t have a computer. They’re typefaces copied from a book of antique alphabets, then literally cut and pasted. The rest is my own lettering.
The fourth issue was a transitional one. Drop Dead, my “90’s comic book“, concluded in its pages, in lieu of a seventh issue. I reprinted the Liquid Paper Pirates and Squeeky Wheel Gets The Grease strips from FINK, as well as For Whom The Beef Jerks.
Oh, and for the first time ever, I did full frontal, stark raving nudity. (NSFW!!!)
Let me be clear about something, so there is no misunderstanding amongst the finger-pointers.
I love women.
More than probably anything else. They are intrinsically exciting to me. Not just their hills and valleys; I can get worked into a froth thinking about Camille Paglia cocking an eyebrow. I have chased women at the expense of my sanity and livelihood, even the ones I wasn’t trying to fuck. Some women beam out female energy like a supernova, and I just want to be close to it, like a moth to a flame. Continue reading →
Gwar, often styled as GWAR, is an American heavy metal band formed in Richmond, Virginia, United States, in 1984, composed of and operated by a frequently rotating line-up of musicians, artists and filmmakers collectively known as Slave Pit Inc. [Wikipedia]
After seeing GWAR in 1991, my freshman buddy Chris ran into the cafeteria to meet us the following morning. He bugged out his eyes with a grin, making a hard side-glance to push his contact lenses slightly off his irises. They were stained bright red, from GWAR blood.
I met GWAR’s manager, Sleazy P. Martini, at a DragonCon in the late 90s. I timidly asked him, “Gee Sleazy, do you really know GWAR?” He laughed and replied “Yeah, I know GWAR. I’m their FUCKIN’ MANAGER.”
In 2018, two years from the time of this writing, Bands I Useta Like (the comic strip) will be twenty years old. In 1998, I drew the initial batch of strips for Mike The Pod Comix #4, and included them in the proposal that saw them properly published, starting in 2002. Among this early run were “the Oingo Boingo strip” and “the Ween strip”.
In the second issue of Bands I Useta Like, I drew a retrospective entitled “Thrills”, wherein I delineated the major moments of excitement from a lifetime of moviegoing. Thrills come in varying qualities and intensities, from “cheap” to “absolute”. A milder one, that is no less desirable, is the “pleasant surprise“.
One of the first pleasant surprises I took notice of was during the documentary Citizen Shane, from 2004. It tells the true story of Shane Ballard, a rotund, porn-loving oddball who ran for sheriff of his hometown of Lowndes County, Mississippi at 22. Ballard was a talented audiophile whose mother was murdered under mysterious circumstances when he was a baby. Not long after the documentary’s release, Shane Ballard and director Ron Tibbett would also be deceased, under mysterious circumstances. Subcin, the site where I saw the film, is not currently active. Continue reading →