In 1993, Rhino Records released the two-volume hardcore punk compilation Faster & Louder, containing a cornucopia of gems from the golden age of the genre. The covers unfolded to reveal spectacular art by the great Gary Panter (above image, Jimbo), and incisive liner notes that briefly break down every track, by Brooklyn record collector and writer Johan Kugelberg.Continue reading
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As an American man raised in the latter half of the 20th century (™Disney Corp.), my reference points all originate from popular movies, rather than real-life experience. When thinking back upon 2017, I an reminded of this classic Bill Murray line, from a film about to turn 30.
I don’t even get paid to do this, and yet I’m forcing myself to, for you. So at least pretend to enjoy it. Like 2017, it’ll be over and done before you know it. Fingers crossed.
So. As an adult, you have a problem with a movie that you loved as a child. I see on social media that this is a common grievance. I don’t need to name a film. There are dozens, maybe hundreds, of motion pictures that don’t stand up to the intense scrutiny and overthinking of 2017.
It’s not them. It’s you. You are the problem.
I’ll begin with a contemporary example: any current superhero movie. Marvel, DC, independent degeneracy like Deadpool and Kick-Ass; it’s all the same. Permit me to make another assumption- you got all worked-up over seeing the latest hero flick, and you left the theater three hours later feeling empty and disappointed, without knowing why.
In the 1970s, children’s television was heavily occupied by a presence that’s nearly forgotten today; an artifact from the opening credits of a slapstick detective franchise, called the Pink Panther.
If you were a kid in the 1980s, the sight of that character reminded you of a piece of Henry Mancini’s distinctive score. This is the Pink Panther Problem.