The May 2000 issue of The Last Laugh contained a do-it-yourself board game as its centerfold. It was called Not The Nineties!
I don’t know if anyone ever played it; I doubt it. The potshots are pretty brutal for a fun diversion. What can I say, the 1990s were actually pretty brutal themselves. The game provides a reasonably accurate simulation of trudging through ten unpleasant years.
(Printable game board included at the end of this article!)
Threading the needle. That was Seattle music in 1994. A desperate, futile gambit to save what few musicians remained from Lady Heroin’s clutches. Cobain was dead. A hideous monster was uncovered, in that bands came to realize that their labels would capitalize upon their deaths just as they would their lives. It’s one of the sickest, most repugnant eras in recording history.
Pearl Jam, Seattle, 1991.
Mike McCready, guitarist for none other than Pearl Jam, entered rehab for drugs and alcohol during the production of Vitalogy, in Minneapolis. Just imagine the options for debauchery that McCready was presented with; you can’t. I can’t. Pearl Jam has sold around 60 million albums worldwide. When that happens, secret people offer you more of something you like than you’ve ever seen, or knew existed. Anyone would give anything (or say anything) to be with you. Continue reading →
The closest you can get to “a good Hole song” is the following. If there exists a female voice that science could prove is subconscious torture to heterosexual men, it would be Courtney Love’s. Continue reading →