Set the Wayback Machine for 1998. I was at Kinko’s, in the middle of the night, running off copies of Mike The Pod Comix #4 (the blue one).
Those aren’t fonts. I didn’t have a computer. They’re typefaces copied from a book of antique alphabets, then literally cut and pasted. The rest is my own lettering.
The fourth issue was a transitional one. Drop Dead, my “90’s comic book“, concluded in its pages, in lieu of a seventh issue. I reprinted the Liquid Paper Pirates and Squeeky Wheel Gets The Grease strips from FINK, as well as For Whom The Beef Jerks.
Oh, and for the first time ever, I did full frontal, stark raving nudity. (NSFW!!!)
[Author’s Note: This article is about how to be actual garbage, as in waste and refuse, not how to be the band “Garbage”.]
Here’s a hypothetical and hard-to-believe scenario. You’re talking to someone about how much you like my comics. Just go with it, alright? The person you’re talking to suddenly pipes up with, “Oh yeah, I know that guy. Have for years. He’s a real piece of shit. Let me tell you all about that pussy.”
Congratulations! You’ve had an encounter with garbage.
This could be you!
It’s not difficult. Garbage is everywhere. It stinks, and we all have to deal with it sooner or later.
No reboot of Mortal Kombat has come close to the cultural coup-de-grace of the original series from the 1990s. It doesn’t matter how many new “Fatalities” there are, or how much blood, or how realistic the fighters look. There’s still a crucial ingredient missing.
If these words are screaming in your head right now, you know what I’m talking about.
From 1992 to 1995, I worked in the music store on the upper level of the Savannah Mall. Disc Jockey was the other music store, on the lower level and the opposite end. Our respective locations affected our clientele; we were next to the upscale department store, and they were next to the parking lot.
Of course there was a rivalry.
Despite what you might think, it was friendly. We all ate in the same food court, and used the same deposit chute. If a customer stumped our staff, we’d begrudgingly call downstairs and ask their staff. Sometimes one store knew something the other didn’t. Upcoming trends in music, promotions, closings, and firings within the busy mall.
Long ago, in the Before Times, I was dating a woman with a very young daughter. I had not yet gelled as an artistic entity, and was in the process of learning that I’m really not cut out to be a father, even a surrogate one. This became apparent on two occasions. Both were attempts on my part to make a connection with a kid. Both failed hilariously.
The first was the purchase of a “children’s book”. I spent hours at Books-A-Million (down the block from Media Play) hunting for just the right one. It had to be colorful, clever, and not condescending. I refused to buy anything “kiddie”, on principle. It had to be something that enticed, thrilled, and sparked the imagination, like the books I read in my grade school library.
When you listen to a professional newscaster, you are hearing an “all-purpose” American accent, very similar to how black comedians make fun of white guys. It’s a mode of speaking designed to be understood by a wide variety of ages and backgrounds. It’s also totally alien sounding, especially when they lapse into a Spanish voice for words like “Nicaragua”.
Outside of America, accents are seldom a focal point.
In 1990, I relocated from New Jersey to Georgia. Originally, I had a curt New Jersey accent, like Jim Norton. My first year, I roomed with a guy from Rhode Island, and when I went back to Jersey for vacation, my friends couldn’t believe what a horror show my speaking voice had become. I was the caricature of the braying Yankee.