Tag Archives: Peter Bagge

Barf Boat

[With apologies to my vomit-averse friends and fans.]

From BIUL #5.

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Filed under Bad Influences, Comix Classic & Current, Magazine Rack, Nostalgic Obsessions

I Forgot Altergott

Mea culpa. You know what? In all my apple polishing of cartoonists I admire, I’ve never mentioned Rick Altergott. What the fuck.

doofus3

I even saw Altergott in person, at a MOCCA Festival years ago. I didn’t approach him, because his abilities as a cartoonist scare the bejeezus out of me. He’s got the touch that the old MAD guys had. He’s not only a caricaturist on par with Mort Drucker, he’s an inker like Wally Wood, with the gift for rendering faces and objects as though they exist in actual space.  Continue reading

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Filed under Comix Classic & Current, Idiot's Delight, Late To The Party, Magazine Rack

The Worst Comic Strip Ever

Every cartoonist has a cabinet full of failures. It’s part of the job. A maxim I live by is one an old writing partner told me:

They can’t all be golden.

That says "Headcheese", in the "Cheese" font. I was being pedantic.

That says “Headcheese”, in the “Cheese” font. I was being pedantic, not meta.

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Filed under Animation Analysis, Bad Influences, Comix Classic & Current, Don't Know Don't Care, Faint Signals, Idiot's Delight, Magazine Rack, Worst Of All

That ’90s Comic Book

No, not Peter Bagge’s HATE. I mean that ’90s comic book you’ve never heard of.

A short-lived little funnybook called DROP DEAD, which any fool could see was inspired by Bagge’s neat stuff. Some kid who called himself Matty Boy Anderson was barely out of high school when he started cranking out copies, and timidly mailing them to review periodicals like Factsheet Five, and cartoonists he admired, such as Bagge, Roy (Trailer Trash) Tompkins, and Evan Dorkin.

It began in 1993, when self-publishing meant a trip to Kinko’s. The black & white interior was cheap to print (and fun to huff), but full-color covers were expensive. So typically an office color-copier was secretly abused for free, someplace prior. With a book stapler, you were all set to collate and fold your comix. This is the way it was done. Plus, not sinking your life savings into a print run left you more open to trading, which is also the way it was done. When you submitted your publication to Factsheet Five, you indicated whether trades were welcome. If you did, you found yourself with quite a “zine” collection, very rapidly.

It was actually pretty grand. Continue reading

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Filed under Bad Influences, Comix Classic & Current, Late To The Party, Magazine Rack