Imagine if you will, a world parallel to our own, identical in many ways, disparate in others. Long story short, in this mirror universe, Bands I Useta Like was optioned by a major independent film studio, and made into a hit movie. It combined animation and live action, and because the producers had deep pockets, licensing songs for a decent soundtrack wasn’t a problem.
Whether I allowed the film to be produced at all was contingent upon the quality of the music choices. If they balked at a crucial song, or refused to include it, I would walk off the project. Which I did, and they replaced me on-screen with a real actor. Like I said, the movie was a hit.
The 2-disc soundtrack sold out of stores overnight. Even though it came packed in that shitty double jewel-box, which just winds up broken, on the floor of a car.
Set the Wayback Machine for 1998. I was at Kinko’s, in the middle of the night, running off copies of Mike The Pod Comix #4 (the blue one).
Those aren’t fonts. I didn’t have a computer. They’re typefaces copied from a book of antique alphabets, then literally cut and pasted. The rest is my own lettering.
The fourth issue was a transitional one. Drop Dead, my “90’s comic book“, concluded in its pages, in lieu of a seventh issue. I reprinted the Liquid Paper Pirates and Squeeky Wheel Gets The Grease strips from FINK, as well as For Whom The Beef Jerks.
Oh, and for the first time ever, I did full frontal, stark raving nudity. (NSFW!!!)
As an American man raised in the latter half of the 20th century (™Disney Corp.), my reference points all originate from popular movies, rather than real-life experience. When thinking back upon 2017, I an reminded of this classic Bill Murray line, from a film about to turn 30.
I don’t even get paid to do this, and yet I’m forcing myself to, for you. So at least pretend to enjoy it. Like 2017, it’ll be over and done before you know it. Fingers crossed.
I came to love and appreciate Steely Dan over the course of my twenties. I did not enjoy them while I was growing up in New Jersey. I lacked the wisdom and experience required to truly absorb their music. I was like Jonathan Richman when asked to cover a Steely Dan song for the awful Me Myself & Irene soundtrack; I never could figure out what them fellas was singin’ about.
As I grew older, Steely Dan lyrics became clearer. The words were honest poetry, sometimes inscrutable, each syllable chosen for its sound and rhythm as well as its meaning. The music was simply too complex for me to grok as a teenage punk. I had to experience the proper amount of loss, beauty and hardship before I really “got” it.
I didn’t know what a “squonk” was, but I knew that somehow, the most incredible song ever written and performed used to play on the radio. You could hear this masterpiece for free.
I love great sketch comedy, and as demonstrated on this site, I have tremendous nostalgia for the video industry of the 1980s and ’90s. By nature I am protective of those things, out of love. I have little tolerance of exploitation of them.
I believe the modern peak of sketch comedy came with two shows; Mr. Show with Bob & David, and The Kids In The Hall (both on HBO). Since the 1990s, these programs set the gold standard. Inevitably, new sketch comedy shows are compared to them, and they seldom hold up. I don’t think The State gelled until they became Reno 911. Broken Lizard has moments; generally one or two per film. Too many comedy groups nowadays are post-UCB; all manic energy, no focus. That’s fine if the group is performing live for an drunken bar audience. TV is a different matter.