Here is a foolproof, ironclad, never-fail method to keep your kids from being bullied. Ready? This is worth a million dollars. Here it comes.
DON’T HAVE KIDS.
I love great sketch comedy, and as demonstrated on this site, I have tremendous nostalgia for the video industry of the 1980s and ’90s. By nature I am protective of those things, out of love. I have little tolerance of exploitation of them.
I believe the modern peak of sketch comedy came with two shows; Mr. Show with Bob & David, and The Kids In The Hall (both on HBO). Since the 1990s, these programs set the gold standard. Inevitably, new sketch comedy shows are compared to them, and they seldom hold up. I don’t think The State gelled until they became Reno 911. Broken Lizard has moments; generally one or two per film. Too many comedy groups nowadays are post-UCB; all manic energy, no focus. That’s fine if the group is performing live for an drunken bar audience. TV is a different matter.
A long, long time ago, on a website far away, there was a thing that pulled in page-views like a drunken champion. It was about 50% my creation. The rest was appropriately and totally ripped off.
It was called “Name Your Rock Band”.
For the first handful of years of the 21st century, it was the most popular page on my site, Mike The Pod. In truth, it goes back even farther than that.
I propose a concept for a new 24-hour network.
FUM. The Fucked-Up Movies Channel.
By watching FUM, you agree to the terms and conditions of the network. In short:
All the movies aired on this channel are fucked up.
If you get fucked up by watching it, too fucking bad.
DIY stands for “do-it-yourself”. You knew that, right? It was once a point of pride in music production. People love DIY, because it lights that little bulb in the mind that signals “I can do that”.
Ideally, you should feel that way about anything people do, aside from brain surgery or bomb disposal (and you can learn how to do those). Shoot, you could change your gender if you set your mind and wallet to it, but that’s a personal matter, and not something you want to capitalize upon. Still, there’s a lot to be said for taking a grass-roots shot at an admittedly lofty goal. For example, producing a homemade movie.
If I could go back in time 20 years, and tell my 24-year-old self that I’d be signing my own comics at Criminal Records in Atlanta’s Little 5 Points, I wouldn’t believe it. Mostly because at 24 I was incredulous about the feasibility of time travel.
I’ve guested at comic conventions before, but this was Criminal Records. They’ve had an almost mythical status since the 1990s, and their old location (it’s now Stratosphere Skateboards, another local business I highly recommend), which I visited often even before I lived here. It had cartoons drawn on the walls by Skip Williamson, Evan Dorkin and Bob Burden, just to name a few. I want to say Patty Leidy was up there too, but I’m going on memory here. Continue reading
Horror icons are sparse in the 21st century for a very simple reason. Horror used to be adults scaring children. Now it’s all about creepy children scaring adults, and adults don’t scare the way kids do. Hence, a decent slasher flick gets forgotten after four or five years, regardless of how many sequels it has (witness the interminable Saw franchise of torture-porn).
Two of the most enduring figures in terror are Freddy Krueger and Jason Voorhees, of the Nightmare on Elm St. and Friday the 13th franchises. Both are bogeymen; mythical killers of young folks, in familiar settings. Therein lies the key to their longevity and appeal. Continue reading