Tag Archives: 1998

Van Halen

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Filed under Bad Influences, Comix Classic & Current, Don't Know Don't Care, Faint Signals, Idiot's Delight, Magazine Rack, Nostalgic Obsessions, Thousand Listen Club, Worst Of All

Stabbing Westward

This is an early strip and it ain’t that great. I feel that works thematically with the band in question. I mean, do you even remember who I’m talking about?

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Head Shots

When you’re polishing the brass railings of the HMS Titanic, it’s important to remember one thing; do it with style. Otherwise, why bother? The more you polish, the better you get. So what if the ship hits the iceberg and sinks?

Since 1998, largely to keep myself out of a rut, I’ve changed the heading of the Bands I Useta Like strip every few years. In the very beginning (when it was self-published), it looked like this:

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Filed under Comix Classic & Current, Magazine Rack, Site Stuff

In The Beginning

Set the Wayback Machine for 1998. I was at Kinko’s, in the middle of the night, running off copies of Mike The Pod Comix #4 (the blue one).

Those aren’t fonts. I didn’t have a computer. They’re typefaces copied from a book of antique alphabets, then literally cut and pasted. The rest is my own lettering.

The fourth issue was a transitional one. Drop Dead, my “90’s comic book“, concluded in its pages, in lieu of a seventh issue. I reprinted the Liquid Paper Pirates and Squeeky Wheel Gets The Grease strips from FINK, as well as For Whom The Beef Jerks. 

Oh, and for the first time ever, I did full frontal, stark raving nudity. (NSFW!!!)

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God Lives Underwater

Twenty years ago, I drew the first batch of Bands I Useta Like strips.

Twenty years ago.

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PaRappa the Crapper

Long ago, in the Before Times, I was dating a woman with a very young daughter. I had not yet gelled as an artistic entity, and was in the process of learning that I’m really not cut out to be a father, even a surrogate one. This became apparent on two occasions. Both were attempts on my part to make a connection with a kid. Both failed hilariously.

The first was the purchase of a “children’s book”. I spent hours at Books-A-Million (down the block from Media Play) hunting for just the right one. It had to be colorful, clever, and not condescending. I refused to buy anything “kiddie”, on principle. It had to be something that enticed, thrilled, and sparked the imagination, like the books I read in my grade school library.

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The Final Time-Out

I was banned from Facebook for 24 hours. I guess I shared a .gif of bouncing boobies with my friend, on a private page. I don’t know or care, to be honest.

finaltimeout2

Go ahead, pull up Zuckerberg’s terms of service. Point out the exact fine print where it says titties are bad for social media. Tell me I’m on someone else’s digital property. Then print those terms out, roll them up, and shove them up your mother’s pussy. Sideways. Continue reading

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Marilyn Manson

BIUL_MarilynManson

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Soul Coughing

BIUL_SoulCoughing

All comics I produced from 2006-2008 were written and drawn during the production of my movie, John’s Arm: Armageddon. I jumped the gun by putting a “release date” on my shirt in the opening panel. Here’s why.

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Why I Love Jar Jar Binks

As the venerable Star Wars imprint slowly transforms into an empowerment series for little girls who wear costumes and bitter old fanboys, one of my favorite aspects is being scrubbed from the narrative:

Weird, stupid aliens.

He attempts to eat that dead monster.

He attempts to eat that dead Woodring monster.

I’ll never comprehend the segregationist nature of the “Star Wars fan”. Watching the fandom dismiss George Lucas, the creator of everything they care about, has been like observing a schism of zealots. Since general audiences weren’t born in the 80s, when ripoffs of Star Wars abounded, they gladly accepted a ripoff from J.J. Abrams.  Continue reading

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