Tag Archives: 1994
There’s no “politically correct” way to say it; I’ve had so many lesbians as friends over the course of my life that I’m probably too comfortable around them. I kid around with them in a manner that can appear “offensive” to outsiders. Folks, maybe the Sapphists are different where you come from, but in my personal experience, real lesbians are borderline impossible to offend.
I do not like Porno For Pyros. At all. I know some people are sensitive about them. I know they only have one album (I think; I’m not gonna go look). I just don’t like them. I also can’t remember why I bothered to split my face between the two center panels, or what the change in shirt was supposed to indicate. Maybe I was mad for a really long time. It’s not like that’s a rare occurrence.
No reboot of Mortal Kombat has come close to the cultural coup-de-grace of the original series from the 1990s. It doesn’t matter how many new “Fatalities” there are, or how much blood, or how realistic the fighters look. There’s still a crucial ingredient missing.
I would call Outkast the greatest rap group of all time. The thing is, we’re from the same city (ATL), and I’m afraid I’ll sound like a local promoter.
That’s why I always forget to bring ’em up. This is a problem, because the media tends to focus on the wrong aspects of rap; the guns, the gangster fetishism, the bitches and hoes. These things don’t really exist in Outkast’s oeuvre. Integrity? Quality? Talent? Those do, in excess. Continue reading
All comics I produced from 2006-2008 were written and drawn during the production of my movie, John’s Arm: Armageddon. I jumped the gun by putting a “release date” on my shirt in the opening panel. Here’s why.