Ugly Kid Joe sucked. They sucked. Ass. They fucking sucked ass.
Tag Archives: 1992
No reboot of Mortal Kombat has come close to the cultural coup-de-grace of the original series from the 1990s. It doesn’t matter how many new “Fatalities” there are, or how much blood, or how realistic the fighters look. There’s still a crucial ingredient missing.
I vaguely promised you, that if I continued to rage upon what J.J. Abrams and Disney have done to the Star Wars saga, I would at least try to make it funny. Well, voilà, space jerks.
I’m making a funny game of it.
From 1992 to 1995, I worked in the music store on the upper level of the Savannah Mall. Disc Jockey was the other music store, on the lower level and the opposite end. Our respective locations affected our clientele; we were next to the upscale department store, and they were next to the parking lot.
Of course there was a rivalry.
Despite what you might think, it was friendly. We all ate in the same food court, and used the same deposit chute. If a customer stumped our staff, we’d begrudgingly call downstairs and ask their staff. Sometimes one store knew something the other didn’t. Upcoming trends in music, promotions, closings, and firings within the busy mall.
How come so few folks know about The Freeze? Punk rock band, formed in Cape Cod, 1978? Come on, the lead singer called himself Cliff Hanger! (“Rob Decradle” played guitar!)
It’s a shame they’re so obscure, but on the other hand, it works to their advantage in these times of prefabricated rebellion. They made fantastic, inspired punk rock, and they came from Cape Cod! Of all places!
So, maybe you’re going for a little more edge in your “haunted house”, this Halloween? Or do your fireside ghost stories need some extra oomph? Say no more, my young apprentice.
You can do much better than “Monster Mash” and Doom soundtracks to terrify trick-or-treaters. Please help yourself to some suggestions. You with the eggs and the toilet paper; take two. Continue reading
You used to hear a lot about refugees on the news. Typically, refugees are not assimilated to the host culture, which allows politicians with agendas to exploit them. There is literally no one to defend or look out for them. They have taken refuge from their country of origin, often because of a dictatorship or carpet-bombing.
The reason of exodus is irrelevant. Media spotlights refugees because of their skin color.
Midi, Maxi & Efti was a Swedish pop group.
Answering machines were a form of technology in use before telecommunication was monopolized. At first, they were huge, then they used micro-cassettes, then regular cassettes, then a computer chip, then they went in the garbage. Telephones were not generally mobile prior to the year 2000. The average home had a room where the phone and answering machine resided.
The answering machine was the predecessor to the ringtone, in terms of personal expression through phones. There was even a default recording of a robot intoning “please leave a message after the beep”, which is how you knew your dad or grandpa wasn’t at home. Older relatives were confounded by the damn things, and would require the aid of sons or nephews, just as with smartphones today. A family would retain an answering machine until the tape wore out, meaning that for much of the 1980s, there was a phantasmagoria of wood-paneled plastic boxes, varying in quality. “Wireless” meant “unreliable”, which meant that the telephone station generally resembled an improvised bomb, to 21st century eyeballs. Continue reading