For longer than I’ve been alive on this planet (or any other), so has MAD magazine lived. I took this as subconscious proof that I chose the right path in life. That there was an artistic point and purpose to living as a satirical cartoonist.
In the 1960s, there were two unusual homesteads on television. One was monstrous, the other creepy and spooky. Both had excellent opening titles music.
Lovely type treatments and title cards, too.
The Munsters was easy to comprehend, for the most part; it was a show about a family of classic movie monsters (hence the pun). Father Herman was the great Fred Gwynne dolled up as a friendly Frankenstein’s monster; wife Lily and Grandpa were vampires. Son Eddie (Butch Patrick) was the wolf-boy, with a prominent widow’s-peak that ensured I would be humiliatingly likened to him, and daughter Marilyn was the freak, with no monstrous qualities whatsoever. They all lived in a spooky mansion on 1313 Mockingbird Lane. Who knew or cared about the genetics involved in such a lineage? Continue reading →