Our universe will never again see a personality like Stan Lee. For the most part, that’s not a good thing. But one must understand and accept that Stan’s career was very much of its time. What he became in his final years was a calculated maneuver, the bookend of a carefully managed and marketed existence. I say that not out of judgment, but out of respect, however begrudging that respect might occasionally be. More than perhaps anyone else, Stan Lee was comic books.
Tag Archives: 1940s
Why is Walt Disney’s signature on Star Wars?
Not just his name; his signature. As though he was the architect of its design. Walt Disney created Mickey Mouse and Donald Duck, right? Tinkerbell, sparkly glitter, and magic castles. Horrible TV-movies every Sunday. That’s Walt Disney. Around 1980, I was into Star Wars to get away from all that corny shit.
Now you’re telling me it’s Walt Disney’s property?
In the 1960s, there were two unusual homesteads on television. One was monstrous, the other creepy and spooky. Both had excellent opening titles music.
The Munsters was easy to comprehend, for the most part; it was a show about a family of classic movie monsters (hence the pun). Father Herman was the great Fred Gwynne dolled up as a friendly Frankenstein’s monster; wife Lily and Grandpa were vampires. Son Eddie (Butch Patrick) was the wolf-boy, with a prominent widow’s-peak that ensured I would be humiliatingly likened to him, and daughter Marilyn was the freak, with no monstrous qualities whatsoever. They all lived in a spooky mansion on 1313 Mockingbird Lane. Who knew or cared about the genetics involved in such a lineage? Continue reading