Category Archives: Thousand Listen Club
Not many arcade players noticed, but in December of 1984, the sound of video games changed for the better, forever.
I certainly noticed. I pumped quarter after quarter into that Marble Madness machine, not just because I enjoyed the (admittedly very challenging) game, but because I had to hear that music, one more time. Continue reading
Imagine if you will, a world parallel to our own, identical in many ways, disparate in others. Long story short, in this mirror universe, Bands I Useta Like was optioned by a major independent film studio, and made into a hit movie. It combined animation and live action, and because the producers had deep pockets, licensing songs for a decent soundtrack wasn’t a problem.
Whether I allowed the film to be produced at all was contingent upon the quality of the music choices. If they balked at a crucial song, or refused to include it, I would walk off the project. Which I did, and they replaced me on-screen with a real actor. Like I said, the movie was a hit.
The 2-disc soundtrack sold out of stores overnight. Even though it came packed in that shitty double jewel-box, which just winds up broken, on the floor of a car.
If I may, I’d like to speak to the ladies a moment. The women, the females, the girls; there’s something I think you’ll find very interesting. I’m so sure of this, that I’m just gonna hit you with it cold; straight, no chaser. Afterwards, I’ll reveal why.
The following YouTube link should be cued up to the correct spot, but on the off chance it isn’t, you’re looking for the 9:04 mark: “The Slave”, from Art Bears’ 1979 album Winter Songs. The lyrics are under the link in case you’d like to read them. The words are so clearly sung, you probably won’t even need to.
Set the Wayback Machine for 1998. I was at Kinko’s, in the middle of the night, running off copies of Mike The Pod Comix #4 (the blue one).
The fourth issue was a transitional one. Drop Dead, my “90’s comic book“, concluded in its pages, in lieu of a seventh issue. I reprinted the Liquid Paper Pirates and Squeeky Wheel Gets The Grease strips from FINK, as well as For Whom The Beef Jerks.
Oh, and for the first time ever, I did full frontal, stark raving nudity. (NSFW!!!)