When you’re polishing the brass railings of the HMS Titanic, it’s important to remember one thing; do it with style. Otherwise, why bother? The more you polish, the better you get. So what if the ship hits the iceberg and sinks?
Since 1998, largely to keep myself out of a rut, I’ve changed the heading of the Bands I Useta Like strip every few years. In the very beginning (when it was self-published), it looked like this:
Imagine if you will, a world parallel to our own, identical in many ways, disparate in others. Long story short, in this mirror universe, Bands I Useta Like was optioned by a major independent film studio, and made into a hit movie. It combined animation and live action, and because the producers had deep pockets, licensing songs for a decent soundtrack wasn’t a problem.
Whether I allowed the film to be produced at all was contingent upon the quality of the music choices. If they balked at a crucial song, or refused to include it, I would walk off the project. Which I did, and they replaced me on-screen with a real actor. Like I said, the movie was a hit.
The 2-disc soundtrack sold out of stores overnight. Even though it came packed in that shitty double jewel-box, which just winds up broken, on the floor of a car.
I won’t lie to you; I’m a conceited guy. I probably possess an overabundance of confidence in my own skills. As I grow older, I try to temper this arrogance, because I’ve seen how it can drive others away; friends, loved ones, fans. But you must understand the importance of this feature (not a bug). In today’s world, you have to be crazy to get anything accomplished.
I have a “Messiah complex”, for which I blame no one but myself. My endless vitriol directed at the entertainment universe springs from the concrete belief that I can do better for you. I can give you what you really want.
Set the Wayback Machine for 1998. I was at Kinko’s, in the middle of the night, running off copies of Mike The Pod Comix #4 (the blue one).
Those aren’t fonts. I didn’t have a computer. They’re typefaces copied from a book of antique alphabets, then literally cut and pasted. The rest is my own lettering.
The fourth issue was a transitional one. Drop Dead, my “90’s comic book“, concluded in its pages, in lieu of a seventh issue. I reprinted the Liquid Paper Pirates and Squeeky Wheel Gets The Grease strips from FINK, as well as For Whom The Beef Jerks.
Oh, and for the first time ever, I did full frontal, stark raving nudity. (NSFW!!!)