Our universe will never again see a personality like Stan Lee. For the most part, that’s not a good thing. But one must understand and accept that Stan’s career was very much of its time. What he became in his final years was a calculated maneuver, the bookend of a carefully managed and marketed existence. I say that not out of judgment, but out of respect, however begrudging that respect might occasionally be. More than perhaps anyone else, Stan Lee was comic books.
Category Archives: Animation Analysis
For the first time in eight years, a new collection of Bands I Useta Like strips is available!
Here’s why you’ll want one of your own:
Unless you were alive and paying attention in the 1980s, you probably didn’t know that Transformers weren’t the first toys in America that changed into vehicles. “GoBots” were.
Transformers came from Rhode Island’s Hasbro, in 1984. GoBots came from Tonka, makers of fine metal toy trucks, in 1983. That may be why Hasbro did everything right, from the start- they saw what Tonka had already done wrong. And oh boy… Tonka did just about everything wrong.
Imagine if you will, a world parallel to our own, identical in many ways, disparate in others. Long story short, in this mirror universe, Bands I Useta Like was optioned by a major independent film studio, and made into a hit movie. It combined animation and live action, and because the producers had deep pockets, licensing songs for a decent soundtrack wasn’t a problem.
Whether I allowed the film to be produced at all was contingent upon the quality of the music choices. If they balked at a crucial song, or refused to include it, I would walk off the project. Which I did, and they replaced me on-screen with a real actor. Like I said, the movie was a hit.
The 2-disc soundtrack sold out of stores overnight. Even though it came packed in that shitty double jewel-box, which just winds up broken, on the floor of a car.
I won’t lie to you; I’m a conceited guy. I probably possess an overabundance of confidence in my own skills. As I grow older, I try to temper this arrogance, because I’ve seen how it can drive others away; friends, loved ones, fans. But you must understand the importance of this feature (not a bug). In today’s world, you have to be crazy to get anything accomplished.
I have a “Messiah complex”, for which I blame no one but myself. My endless vitriol directed at the entertainment universe springs from the concrete belief that I can do better for you. I can give you what you really want.
I can save you.
Set the Wayback Machine for 1998. I was at Kinko’s, in the middle of the night, running off copies of Mike The Pod Comix #4 (the blue one).
The fourth issue was a transitional one. Drop Dead, my “90’s comic book“, concluded in its pages, in lieu of a seventh issue. I reprinted the Liquid Paper Pirates and Squeeky Wheel Gets The Grease strips from FINK, as well as For Whom The Beef Jerks.
Oh, and for the first time ever, I did full frontal, stark raving nudity. (NSFW!!!)